On This Is the Last Chance, I served as both producer and cinematographer, helping to shape the film from vision to reality. During pre-production, I worked alongside our creative team to design the visual language of the story, framing not just shots, but emotions.

On set, I moved between operating the camera and stepping into the frame when needed, learning to hold both the big picture and the intimate moment. This project taught me to move between roles with intention, always keeping the heart of the story in focus. It was about staying present, listening to what each scene needed, and ensuring that every visual choice felt true to the emotion we wanted to convey.